BACKWARDS CITY
Update your bookmarks!
Gerry Canavan's blog has moved.

Dear Friends,
Due to unfortunate considerations of time and cost, Backwards City is no longer a print journal. However, we will maintain our presence on the web that, however meager, we hope you might enjoy.

Who We Are
How to Subscribe
Submission Guidelines
Support BCR

RECENT POSTS





Email Us * RSS/XML Feed





LINKS
Lit Blogs [+/-]
Us
Bookslut
Bookninja
Rake's Progress
Tingle Alley
The Elegant Variation
Arts & Letters Daily
MetaxuCafe
McSweeney's
Yankee Pot Roast
Poetry Daily
Verse Daily
Salon
Literary Journals [+/-]
Us
AGNI Magazine
Alaska Quarterly Review
Bat City Review
Ballyhoo Stories
Bellevue Literary Review
Black Mountain Review
Black Warrior Review
Blue Mesa Review
Born Magazine
Brick
Can We Have Our Ball Back?
Carolina Quarterly
Cincinnati Review
Columbia: A Journal of Literature and Art
Conduit
Conjunctions
Cranky
Creative Nonfiction
CUE: A Journal of Prose Poetry
CutBank
Denver Quarterly
DIAGRAM
Dispatch
Dos Passos Review
Ekphrasis
EPOCH
Exquisite Corpse
Fence
flashquake
Forklift, Ohio
Fourteen Hills
Fourth Genre
Ghoti Magazine
Glimmer Train
Gulf Coast
Harper's
Harpur Palate
Hayden's Ferry Review
Hunger Mountain
Ink & Ashes
Instant City
Land-Grant College Review
LIT Magazine
Margin
McSweeney's
Mid-American Review
Missouri Review
Narrative
New England Review
New Orleans Review
NOÖ Journal
Octopus Magazine
One Story
Orchid: A Literary Review
Oxford American
Paris Review
Pettycoat Relaxer
Plaztik Press
Ploughshares
Poets & Writers
Post Road
Professor Barnhardt's Journal
RE:AL
Red Mountain Review
River City
River Teeth
Rosebud Magazine
Roux Magazine
Santa Monica Review
Segue
Sewanee Theological Review
SGVPQ
Shampoo
Shenandoah
Sonora Review
South Loop Review
Spire Press
spork
Talking River
The Atlantic Monthly
The Baltimore Review
The Capilano Review
The Chattahoochee Review
The Florida Review
The Formalist
The Georgia Review
The Greensboro Review
The Iowa Review
The Kennesaw Review
The Literary Review
The New Yorker
The South Carolina Review
The Southeast Review
The Sycamore Review
Threepenny Review
Tin House
TriQuarterly
Witness
Zoetrope
zafusy
Comics [+/-]
Dial B for Blog
Drawn!
Rashomon
Monitor Duty
Comic Treadmill
NeilAlien
Absorbascon
Scott McCloud
The Comics Reporter
Paperback Reader
Spoilt!
Exploding Dog
Toothpaste for Dinner
A Lesson Is Learned but the Damage Is Irreversible
Pop Culture [+/-]
Ain't It Cool News
Metaphilm
Television Without Pity
The Dust Congress
Meta [+/-]
Boing Boing
MetaFilter
Gravity Lens
Cynical-C
Linkfilter
GeekPress
Memepool
MonkeyFilter
Wikipedia
Technorati
The Show (with Ze Frank)
Games [+/-]
Jay Is Games
Little Fluffy Industries
Grand Text Auto
Slashdot
Our Writers[+/-]
Issue 6
David Axe & Matt Bors
Eric Greinke
B.J. Hollars
Cynthia Luhrs
T. Motley
xkcd
Lynne Potts
Peter Schwartz
Sarah Solie
Jennie Thompson
Juked
NOÖ Journal"
Reene Wells
Issue 5

http://www.idiotcmics.com/">Idiot Comics

Ira Joel Haber
Jonathan Baylis & David Beyer Jr.
Kathleen Rooney
BookNinja
Issue 4
Kristy Bowen
Abigail Cloud
Will Dinski
Toothpaste for Dinner
The Flowfield Unity
Tom K
Dispatches from Roy Kesey
Austin Kleon
Kristi Maxwell
Marc McKee
Sheryl Monks
Renee Wells
Issue 3
Rafael �vila
Lynda Barry
Melissa Jones Fiori
Eric Joyner
Jonathan Lethem
Brian MacKinnon
Clay Matthews
Jesse Reklaw
Matthew Simmons
Amish Trivedi
Debbie Urbanski
Bart Vallecoccia
Issue 2
Jeremy Broomfield
baseWORDS
Nick Carbo
Adam Clay
Kurtis Davidson
Lisa Jarnot
Patricia Storms
Chris Vitiello
Issue 1
Tom Chalkley
Peter S. Conrad
Cory Doctorow
Arielle Greenberg
Gabriel Gudding
Paul Guest
John Latta
K. Silem Mohammad
Jim Rugg
Marcus Slease
Tony Tost
Kurt Vonnegut
Friends & Associates [+/-]
UNCG Writing Program
Meme Therapy
Candleblog
Desert City Poetry Series
Owlly.com
The Regulator Bookshop
Mac's Backs Paperbacks
Bull's Head Bookstore
Quail's Ridge Books
McIntyre's Fine Books
Chop Suey Books
McNally Robinson Bookstore
Adams Books
The Writer's Center Book Gallery
Project Pulp
Council of Literary Magazines and Presses
Association of Writers and Writing Programs
Small Beer Prees
Ed Cone
The Green Bean
New York Pizza
Triangle Bloggers
Greensboro 101
PClem's Music Blog
Our Frappr Map

ARCHIVES [+/-]
May 2004
June 2004
July 2004
August 2004
September 2004
October 2004
November 2004
December 2004
January 2005
February 2005
March 2005
April 2005
May 2005
June 2005
July 2005
August 2005
September 2005
October 2005
November 2005
December 2005
January 2006
February 2006
March 2006
April 2006
May 2006
June 2006
July 2006
August 2006
September 2006
October 2006
November 2006
December 2006
January 2007
February 2007
March 2007
April 2007
May 2007
June 2007
July 2007
August 2007
September 2007
October 2007
December 2007
March 2008
July 2008
September 2008
October 2008
November 2008
December 2008
October 2009
November 2009



Copyright © 2004-2007 Backwards City Publications of Greensboro.

All rights reserved.
Thursday, June 29, 2006

Superman Returns; Maybe Shouldn't Have
Look, you know what I'm gonna say. There was no way this movie was ever going to live up to its potential or to my expectations, much less my hopes. But indulge me.

The moment that finally broke Superman Returns for me came during the film's climax. Up until then I'd been mostly won over by the fun of the film's set pieces, and was even coming to terms with the tremendously poor casting of Brandon Routh, who successfully manages to look and sound a bit like Christopher Reeve but is so wooden and dull that you hardly care. (The film's dripping sense of self-importance is somewhat harder to ignore, particularly given the sledgehammer-subtle religious imagery. There are two crucifixation scenes. But until the very end, I was able to tolerate it. Mostly.)

One narrative flaw I found myself unable to get over was the amazingly short-sighted decision to give Lois Lane a five-year-old son, a waste of screentime the filmmakers seemed to already be regretting in this movie, much less three sequels from now. More than once Lois herself completely forgets she has a son. So what's going to happen in Superman Returns Again? "Hey Lois, where's Jason?" "Oh, he's at camp." They've shot themselves in the foot here; what are they going to do with this kid in the sequel? In the sequel after that? Did they think about this at all beforehand? Apparently not. The only way the son angle can possibly pay off is [SPOILER, THOUGH YOU HAVE PROBABLY ALREADY FIGURED IT OUT FOR YOURSELF] in a Kingdom Come-esque fight to the death between Superman and son three sequels from now. I'll be rooting for that. Otherwise Jason Lane is just a retcon waiting to happen.

But anyway, the moment that breaks the film.

The moment that breaks the film comes when Superman -- who is of course deeply vulnerable to green kryptonite, who has in fact been stabbed with green kryptonite, all while standing on an massive landmass made up of green kryptonite which the filmmakers have already established completely strips him of his powers [SPOILER, AGAIN, BUT AGAIN, IT'S OBVIOUS] -- is somehow able to get underneath the giant kryptonite island, lift it into the air, and throw it into outer space, all with a sliver of deadly, power-stripping kryptonite still in his body. Then he collapses from exhaustion. After he lifts and throws 1000 tons of kryptonite into space.

You can't help but laugh at that. Then you can't help but notice that even though two hours have passed by enjoyably enough, it's hard to imagine why a person would ever want to watch this movie twice. That the script is pretty poor, actually, now that you think about it, the dialogue especially; that the special effects are also surprisingly disappointing, particularly any shot of Brandon Routh in the suit lifting something heavy; that much of the mechanics of the plot have been shamelessly stolen from the earlier movies; that the entire plot doesn't just hinge on Kryptonian nonsense magic, but on the Kryptonians having invented nonsense magic whose only possible application is the destruction of all life on Earth (just add water); that as paper-thin as the Clark Kent ruse has always been, this movie quickly strains it well past the breaking point; that Anthony Lane was right, they really didn't come up with anything interesting for Superman to do besides stop bank robberies; that they actually saddled Lois Lane with a son, for Christ's Kal-El's sake.

The sad part is, despite its flaws, this is by far the best movie adaptation of Superman yet -- and it's going to do huge business, which means the filmmakers will have no incentive to try and do things right in the sequel.

This movie is just nowhere near the same league as Batman Begins or X-Men 2 or Spider-Man 2. It's a failure, wrapped in a Twinkie; it tastes fine going down but afterwards you can't believe you swallowed it. The film never gives us any reason to invest ourselves in what's happening, and Brandon Routh (unlike, say, Christopher Reeve) isn't actor enough to make us care about what's going on despite that fact.

But at least he doesn't turn back the rotation of the Earth in this one. Though you can't help wondering why he didn't, given that in the movies he can, and it would sure be the easiest solution to his problems...

This page is powered by Blogger. Isn't yours?