Pauline Kael's blistering 1979 New Yorker review of Superman: The Movie.Part of the appeal that has made Superman last so long is surely in the quasi-religious feelings that children develop about him: he’s the savior myth of their very own subculture. Although this film tries to supply an element of mysticism (the box-office lesson of “Star Wars” and the Force has been learned), it’s Superman in the form of the joyless interim actor who goes to the North Pole to commune with his psychically still alive father. Jor-El informs him of his mystical mission to serve “collective humanity,” and Brando shows a gleam of amusement as he instructs the youth in the capacity for goodness of the people on Earth, and says, “For this reason above all—their capacity for good—I have sent them you, my only son.” The sequence takes place at the Fortress of Solitude, which constitutes itself out of the ice for Superman. This should be the magical heart of the film, and surely a building that materializes out of ice might do so with occult symmetry? But the mystic fortress looks like a crystal wigwam that is being put up by a stoned backpacker.
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Kottke)
# posted by
Gerry Canavan @ 7:36 PM
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